Warning: This story contains MAJOR SPOILERS from Star Wars: The Force Awakens. If you haven't seen it yet, stop reading now.
Even though many predicted it may happen, the ending of Star Wars: The Force Awakens was still a shock to all. Seeing Han Solo stabbed by his son Ben "Kylo Ren" Solo and then falling to his death was an emotional and devastating twist for the film. Director JJ Abrams and his co-screenwriters Lawrence Kasdan and Michael Arndt spoke about the reasoning behind this scene at a recent Writers Guild of America Q&A.
Abrams said,
“Long before we had this title, the idea of The Force Awakens
was that this would become the evolution of not just a hero, but a
villain. And not a villain who was the finished,
ready-made villain, but someone who was in process.”
“All of us bring our own experiences to it. As a father,
as a friend to people who have children, I know what it’s like to see
struggle, to be part of struggle. I know how painful it can be. I know
how real it is. And this is, of course, an insane extrapolated version.”
He also added,
“It’s this massive tradeoff. How can
we possibly do that!? But… if we hadn’t done that, the movie wouldn’t
have any guts at all. It felt very dangerous.”
Screenwriter Michael Arndt, who was involved in the early story process, added,
“In my early drafts, my thinking was we had to bridge the end of Return of the Jedi
to what happens in this movie, and we didn’t want everybody to start
off all together. We wanted them to be spread all throughout the
galaxy.”
“We came up with a backstory that Luke had a pupil who turned against
him and fought him, and killed all the other pupils, and that was a
thing that exploded the family and destroyed Han and Leia’s
relationship.”
“I had thought Han’s story and Leia’s story was just about them
coming back together. At the end of the movie they would have reconciled
and gotten over their differences. And you would have said, ‘Okay, bad
stuff happened, but at least they’re back together again. J.J. rightly asked, ‘What is Han doing in this movie?’ If we’re not
going to have something important and irreversible happen to him, then
he kind of feels like luggage. He feels like this great, sexy piece of
luggage you have in your movie. But he’s not really evolving. He’s not
really pushing the story forward.”
As for what it was like to be on set when the scene was filmed, Abrams said,
“It was really chilling. Seeing these two actors, they
weren’t chewing up the scenery. They were just doing this thing in a way
that, frankly, was disturbing. To see Harrison reach out and touch
Adam. I know this sounds stupid, but literally watching it, I forgot — I
forgot that he wasn’t his son. He did it so beautifully.”
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